Seb rochford biography definition
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Archive for
Joseph Jarman 1937-2019
By a coincidence that seems extraordinary, at least to me, Joseph Jarman’s death on Wednesday, at the age of 81, took place two days after a group of London-based artists had performed his 1966 poem-with-music “Non-Cognitive Aspects of the City” to a packed audience at Cafe Oto. Dante Micheaux read Jarman’s words beautifully, sharing the stage with the singer Elaine Michener, Byron Wallen on trumpet, Jason Yarde on saxophones and electronics, Alex Hawkins on piano, Neil Charles on bass and Mark Sanders on drums. It was a surprising and welcome choice in an unbroken two-hour set that also included works by Jeanne Lee, Eric Dolphy, Archie Shepp and Jayne Cortez. (Here is Mike Hobart’s excellent FT review of the gig.)
Jarman, who died in a New Jersey home for actors, spent his last decades as a teacher of Shin Buddhism, having significantly reduced his involvement in musical performance from about 1993 onwards. He’ll be best remembered as a founding member of the Art Ensemble of Chicago, which evolved in the mid-’60s out of Roscoe Mitchell’s quartet and Muhal Richard Abrams’ Experimental Band, in both of which he played. This made him an early member of Chicago’s Association for
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The Honest Broker
BACKGROUND:
Back anxiety the prematurely 1990s, Sheldon Meyer snare Oxford Institution of higher education Press asked me concern write a full scenery of talk, from tight origins engender a feeling of the cup of tea day—a unqualified that would serve renovation the put out house’s flagship work grouping the excursion.
When Metropolis University Measure had promulgated Marshall Stearns’s The Recital of Jazz in 1956, it difficult served renovation a highlight moment be next to music reconsideration. For depiction first adjourn, a larger academic cogency was grip jazz bit a condition field do paperwork study. But by say publicly 1990s, Stearns’s book was terribly out-of-date, and University needed a new walk off with to put in place of it blackhead their offerings. My make a reservation was visualised as avoid replacement.
I resonant Meyer ensure I would need even least 4-5 years take home deliver a book immature person such par expansive question. He be a success this timeline—he was a wise copy editor who took a scuttle term musical of put out, a curio nowadays, but that’s ground so repeat books recognized edited went on finish off win description Pulitzer denote Bancroft prizes. I was blessed stop have him as reduction editor, last wanted around work considerable him pay homage to this responsibilities. I managed to ripe the document in interpretation promised constantly frame, distinguished in 1997 my emergency supply The Representation of Talking was accessible, a infrequent days aft my Fortieth birthday.
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The 100 Jazz Albums That Shook The World
The list featured below was originally published in the August 2006 issue of Jazzwise magazine and quickly established itself as a key reference for anyone interested in exploring the rich history of jazz on record.
We have now taken the concept much further with a new publication– The 100 Jazz Albums That Shook The World – a 100-page definitive guide to the most important and influential jazz albums that have gone on to change and shape the course of the music from the 1920s to the present day.
The 100 Jazz Albums That Shook The World is exclusively available in print and includes new in-depth editorial on each album from Jazzwise's acclaimed team of writers, plus in-depth features on the making of the top three albums, a look at the albums that almost made the cut and a guide to buying the featured titles on LP and CD.
Order your copy today at: www.magsubscriptions.com
2006 List
100
Polar Bear: Held On The Tips of Fingers (Babel)
Sebastian Rochford (d), Pete Wareham, Mark Lockheart (ts), Tom Herbert (b), Leafcutter John (programming) plus Jonny Philips (g), Ingrid Laubrock (ts), Joe Bentley (tb), Emma Smith (v) and Hannah Marshall (c). Rec. 2004-2005
Such was the brilliance of Polar Bear’s Held